More than a year into the pandemic, deep-seated feelings of isolation, alienation, anxiety, and loneliness, are pervasive. Cynthia’s hypochondria, which in the recent past may have been dismissed as a quirk, has crept into the examination of our own daily activities. The titular work of the exhibition, The Invisible Seventh is the Mystic Column, 2021, shot and edited by Moulton while in quarantine, picks up where Cynthia’s journey of self-investigation left off in Whispering Pines 10. In 2021 we, as audience members, are more clearly attuned to the eccentric coping mechanisms of Moulton’s persona, as they are now uniquely familiar to us. In The Invisible Seventh is the Mystic Column, Cynthia turns her attention to exercise and breathing techniques in an attempt to counteract vulnerability. However, she is betrayed, inhaling invasive home decor objects, similar in shape and size to human organs, which take up residence in her body.
Directed by Shana Moulton
