At the Palais de Tokyo, a contemporary art center in Paris, security guards monitor the artworks, observe, search, and screen the public. Most are of African origin—whether French citizens or not—and come from various African countries. How do they watch "us" live? To what extent do they feel they belong to this "us"? Through their observations, the film reveals something of who they are.
Directed by Frédéric Mainçon
