During a voyage by boat to Finland, the camera records three minutes of black and white 8mm film of a woman sitting on a bridge. The preoccupation of the film is with the base and with the transformation of this material, which was first refilmed on a screen where it was projected by multiple projectors at different speeds and then secondly amplified with colour filters, using positive and negative elements and superimposition on the London Co-op’s optical printer.
Directed by Gill Eatherley
