"Duchamp is certainly as complex as Joyce and to do something about him, I tried to dedicate to him this small film poem, using only a few images of images of his work, taken always from books and catalogues (that are made of typographic ink). For example, blackening in the spokes of a wheel, allowing regular slits, transforming it in this way into a true external shutter, that came to substitute for the missing one of my movie camera. A bicycle wheel that becomes cinema and vice versa. For example, his black window that is transformed into a number of tv screens, etc. With Duchamp I think I could make a film for every one of his works because intelligence, irony and alchemy are all proper to the cinema."
Directed by Paolo Gioli
