The Holy Family Album, Angela Carter’s sacrilegious take on Christian iconography, was one of the points of inspiration for curator Marie Mulvey-Roberts for the Strange Worlds Exhibition. The programme conceives of the representation of Christ in Western art history as photos in God’s photo album, only God the Father is not in pictures because he is behind the camera, taking the photographs, “calling the shots”.
Directed by Angela Carter, Jo Ann Kaplan
