"From the way the film begins, and the way the outside images are used, it is clear that they are not intended to be entirely specific to the girl; not, say, to represent her 'thoughts.' The objects and images are rather metaphors–i. e., the pale, barren snow scenes–for the girl's state. Further, they place her isolation in a more general context than that of a single person's experience. The film creates a whole system which describes that isolation. This is made clearer still by the end, which alters the girl's color and removes her from her relatively personalized room." –B. C.
Directed by Bob Cowan
