«Época» – Spanish for epoch – can also sound like «it isn’t a big deal» (Spanish: «es poca cosa»). So, reality is not a big deal when you are used to it. But opening the eyes a little is all it takes to produce a few gentle cracks on the ground of perceptual habits, and realize that things – including the urban architecture we pass by everyday – have their own energy; that steel, concrete, asphalt all have an unexpected vibrancy. In this way, the frame becomes a force field, without a defined and final shape. A dynamic and fragmented world held together by editing and non-uniform acceleration.
Directed by Tomás Maglione, Ignacio Tamarit
