Colgate Theatre

A United States marshal travels to Wyoming to clean up illegal activities involving both outlaws and lawmen.

A restaurant owner and his wife lead a carefree life in Havana, Cuba, until an old romantic partner of the owner arrives and begs him to help her recover a stolen necklace.

A very astute lawyer with a folksy demeanor works for a young woman who believes that someone has tampered with her grandfather's will and that her uncle is the culprit.

A newly married woman receives as a wedding gift from her vengeful scientist ex-boyfriend a vial containing a potion that can provide a person with 200 years of youthful vigor and good looks — but there is only enough potion in the vial for one person, leading to conflict as she ponders whether to take the potion herself or give it to her new husband. (Note: Written, directed, narrated, designed, and produced by Orson Welles, this episode won a 1958 Peabody Award and is widely regarded as one of the most important works of early television experimentation. It is considered a foundational example of Welles’s essay-film style, directly anticipating later works such as F for Fake, and remains the most critically significant and historically influential episode of Colgate Theatre.)

The owner of a small nightclub tries to turn a gambler into an honest man, but romance and the interference of other people complicate her efforts.

After a newly elected congresswoman arrives in Washington, D.C., she discovers that there is a lot more to representing her legislative district than merely passing legislation — including, as one of her first challenges, house-hunting with her husband.

When a teletype machine begins to report the news before it happens, a newscaster sets out to avert a disaster, trying to find a woman who will be in a catastrophic accident when her car collides with a train the following day.